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The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films. Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!
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苏联西部片，内核其实更像“意大利式西部片”
苏式西部片
看的是没有中文字幕的
007曲调+西部片质地 故事却像苏联中亚版智取威虎山：红军政委单枪匹马入虎穴策动投降旧部扑杀土匪军阀大本营。六发左轮手枪的第七枚子弹 多么直截了当表明决心的英雄主题。英雄式推镜头在大远景马队过山峰与之字形动线追焦的间隔中产生了一些神奇的效果。不过样板戏一般的浮夸表演还是让人捧腹 尤其是女主“勾人”的表演。片子继承了美国前辈不少孤胆英雄的套路和主角光环的毛病 但在自然的美学运用上依然别具风格 很好突显了中亚土黄草原与溪流的地貌